(FYI: A page from the Absolute Sandman, that is. Thanks for helping out. – c)

This is a call to action!

As many of you may know already, artist Josh Medors (Frazetta’s Swamp Demon & Sorcerer, Runes of Ragnan, 30 Days of Night) has been fighting a losing battle against a terminal form of cancer for well over a year, and it has recently taken a turn for the worst. The doctors and conventional medicine have all but given up on him and say there isn’t anything else they can do. But he has found an alternative treatment that has the possibility of extending his life a bit and can help improve the quality of his life near the end so he can spend it with his wife and son. There is even a slim chance it can make him somewhat better, so he has to try. But of course the treatment is very expensive and Josh has no medical insurance.

So myself and my brother, Andrew Mangum (currently Josh’s inker on Frazetta’s Sorcerer) decided to arrange another benefit auction like the one they
did at Emerald City Con back in ’08. This auction is different though because the last one was organized by Jay Fotos to help Josh pay his rising medical bills to fight the cancer, and this one is specifically to get the treatment he needs to be keep him around. I know there are a lot of fans and friends out there that want to help, so this auction series will be that opportunity. A wide variety of artists are contributing personal works and art from their collections just like last time, but this time it’s open to collectors, fans, and everyone else. as well anyone can donate if they want to help! We just ask that it be comic or comic art related.

I have set up a special “preview gallery” for all the items as they come in on my Comic Art Fans webpage.

You can see all of the artwork & items we will be auctioning there, as well as who donated it (unless they request to be anonymous) and all artists who donate their art will also have their websites listed if desired. Many packages of art are already on the way now and will be up soon, and the list of artists donating grows by the minute, so there is A LOT more art coming! Be sure to check back periodically to see what we’ll be listing!

To donate something to the auctions, just email me at madman1138@yahoo.com or through my Comic Art Fans gallery (where all the art is) with a scan or photo of the item and the item information and I will send you the mailing address to send the goods to. I only ask the items be shipped to me in advance because there will be a lot to organize and package, and simplicity dictates that only one location handle it all. This is shaping up to be quite an undertaking, so I have to keep it as easy as possible. All donations must be received no later than Friday, May 22nd 2009 in order to be included in the auctions, which will start listing to Ebay on Saturday May 23rd.

Josh will also be selling off all of his remaining artwork to help cover these costs, and I will be helping him with that as well. So if you would like to buy something of his now, please see the green “Art for sale-Josh Medors” gallery also on my Comic Art Fans.

I will update this gallery with more art as Josh sends me more scans, but pages are available from Frazetta’s Swamp Demon, Chucky, GI JOE, and more! All proceeds, after selling fees from all of this, will go to Josh to help him and his family in this dire time of need.

Because so many people have been asking about sending monetary donations directly to Josh as well, his Paypal email address is: jmedors3@columbus.rr.com

Sending $5 or $10 might not seem like much, but remember the water drops principle. A drop of water isn’t much, but enough drops eventually fill the bucket. Every bit counts here and time is of the essence. Now is the time to act!

Please be sure to also include your name and address with the payment email through Paypal when sending money, because Josh wants to try and do Thank You cards with little sketches to all who donate (and some of the other artists might help out with that for him, so you never know what you’ll get!)

Lastly, please only use his email address for Paypal payments and don’t deluge his inbox with questions and well wishes. Although appreciated, he won’t be able to reply to them.

Thank you for looking, and especially for helping! Together we CAN make a difference!

Dave Kopecki

Harlan Ellison’s documentary Dreams with Sharp Teeth will air on the Sundance Channel Monday:

For more than 50 years, Harlan Ellison has been a singular voice in American literature. Too often marginalized as an author of genre fiction (Ellison prefers the term “speculative fiction”) or influential, award-winning scripts for “The Outer Limits” and “Star Trek,” Ellison sits for a revealing cinematic portrait in Erik Nelson’s entertaining documentary. The notoriously combative, motor-mouthed Ellison appears in clips spanning a quarter century. Also featuring Robin Williams, who describes his friend as “a skin graft on a leper.”

Hat tip to the deeply nifty SF Signal.

Have a preview:

Buy the dvd. I did. Can’t wait to see it.

1984: The masterpiece that killed George Orwell:

He was working at a feverish pace. Visitors to Barnhill recall the sound of his typewriter pounding away upstairs in his bedroom. Then, in November, tended by the faithful Avril, he collapsed with “inflammation of the lungs” and told Koestler that he was “very ill in bed”. Just before Christmas, in a letter to an Observer colleague, he broke the news he had always dreaded. Finally he had been diagnosed with TB.

Sherlock Holmes: man of logic and reason. His creator Arthur Conan Doyle fell for every spiritualist crackpot scam in the book:

He claimed to converse with the spirits of the dead. Virtually abandoning Sherlock Holmes, Conan Doyle churned out books on spiritualism and addressed vast audiences around the world on the subject. He proudly adopted the sobriquet “the St Paul of the New Dispensation”, ruffling some feathers along the way. In North America he clashed with Harry Houdini, an illusionist, who argued that all spiritualists’ “tricks” could be replicated by a competent magician.

In praise of the distractions of the internet. Print this one out. Read. Reread. Save it. Reread it again.

This doomsaying strikes me as silly for two reasons. First, conservative social critics have been blowing the apocalyptic bugle at every large-scale tech-driven social change since Socrates’ famous complaint about the memory-destroying properties of that newfangled technology called “writing.” (A complaint we remember, not incidentally, because it was written down.) And, more practically, the virtual horse has already left the digital barn. It’s too late to just retreat to a quieter time. Our jobs depend on connectivity. Our pleasure-cycles—no trivial matter—are increasingly tied to it. Information rains down faster and thicker every day, and there are plenty of non-moronic reasons for it to do so. The question, now, is how successfully we can adapt.

Isabel Paterson, the forgotten writer who gave Ayn Rand many of her ideas:

Her idea was simply to leave people alone to make their own investments, to earn profits and keep them, and to liquidate unprofitable enterprises. History backed her up. She remembered the nation’s relatively quick recovery from the economic crisis of her girlhood, the depression of the 1890s: “This country experienced bankruptcy in the nineties. Part of the loss was borne by foreign bondholders. That part of the situation is now reversed. It is a much worse bankruptcy. But that is all it is.” She knew that once the incompetent were permitted to go bankrupt, the competent could “pick up the pieces.”

An exploration of the history of fairy tales:

“It has been said so often that the folk invented and disseminated fairy tales that this assumption has become an unquestioned proposition,” Bottigheimer writes in the introduction to her most recent book, Fairy Tales: A New History (State University of New York Press, 2009). “It may therefore surprise readers that folk invention and transmission of fairy tales has no basis in verifiable fact. Literary analysis undermines it, literary history rejects it, social history repudiates it, and publishing history … contradicts it.”