Shot from the book, and restored with lettering corrections. Isn’t Photoshop awesome?
The stippling and star effect is a combination of hand-work and Japanese tone sheets.
We’re now in the top 80-something. WOO HOO! THANKS SO MUCH!
Shot from the book, and restored with lettering corrections. Isn’t Photoshop awesome?
The stippling and star effect is a combination of hand-work and Japanese tone sheets.
We’re now in the top 80-something. WOO HOO! THANKS SO MUCH!
The snow…it fascinates. Somewhere in Alaska, people are laughing at me.
The back deck on the farmhouse.

Front porch. A very confused cardinal was dazzled by the lights and flew back and forth under the roof of the porch. We turned the lights off so the poor critter could get some sleep. They nest in that big bush you see there. It is very pretty to see these bright red birds in the snow. I keep trying to catch one on camera.

Decorating in progress.

I’ve got a brutal headache today and may just go back to bed. Spent all weekend baking and don’t want to be surly when the family starts showing up…assuming they can get down the drive. 24 inches of snow to clear over a 1/4 mile stretch. Hoo boy.
This page needed about 2 hours of restoration. Had I more Photoshop chops, probably would have been easier, but there you go.
This was shot from the book. Alas, for some reason, I used the wrong tone sheet for about a half dozen figures in this issue, and on random shots in earlier books. When printed, the tones went to mud, and the figures turned out almost flat black. Without the original art, I had to guess at the drawing beneath the tone sheet and carefully redo the details.
I’ve never done any Photoshop tones before, and have a lot to learn. Forgive my Novice Nelly performance.
I decided to leave Bast in the final panel as per the original scan, but you can see she’ll need some restoration in that shot, too.
For all future ADS pages, I will continue to use hand-applied Japanese tone sheets, but will save two versions of each page: one with tones and one without. This will be the last project on which I use hand applied sheets.
Anyway, nice to know I can do this sort of thing, now. There are some shots of Chris and Brent that could use a touch-up, too.
This whole webcomic thing is turning out to be a great opportunity to look at each page as an individual work. I’ve learned many new skills here.
I will redo what I can redo, but I’ve had to make some hard choices about what to leave as is. Had I my druthers, I’d be re-inking about 120 pages.
But I cannot! I must move on! New pages! Forward! Forward!
OK, enough of that. GO VOTE FOR ME!!! And thanks for your support. Seriously, I am so pleased with the incoming traffic to the site. Thanks for the rec’s, thanks for bringing in new readers. I really appreciate it!
FYI: I know none of these people, and have no personal involvement in this issue. Just pointing you to the info, in part, to show that publishing problems aren’t limited to print.
Keenspot is a webcomics portal that bills itself as “…the largest publisher of exclusive webcomics!” They came to my attention recently when a Keenspot member suggested I try signing on. I decided to stay independent long ago, but thanks.
Today, the Keenspot website posted the following notice:
ANNOUNCEMENT:Keenspot no longer accepting new webcomic submissions.
Posted By Chris Crosby at 12/19/2009 12:21:00 PM
Please note that Keenspot is no longer accepting new webcomic submissions, and has no plans to invite new members to Keenspot. Thank you for your interest.
Two days ago, the Keenspot creator of Sorcery 101 was fired. She posted the following notice:
Why did they fire me? I asked that question as well and got the response “We have multiple reasons.” None of which they will tell me. It happened right after Scott Kurtz’s ustream where I talked said Keenspot was only good for the newsboxes (which is true and I’m not the only person on Keenspot who’s said that) and I’d leave once the newsboxes stopped being useful. Because they are EXTREMELY unprofessional.
Keenspot is a small company with no staff to speak of outside of the owners (i.e. no accountant on staff), and because of that it generally takes us longer than we would like to produce exact revenue calculations, whether they be from book distributors or the many ad networks and advertisers we work with daily. However, we have always offered Keenspot members an advance payment. and have never refused an advance to a Keenspot member who asks, whether they’re owed money or not.
A somewhat less measured response:
Almost everything that Kell, Kurtz and Straub said were lies, and Kurtz almost certainly wrote most of what Kell said for her. And when they’re not lying, they’re insinuating other lies, like that Keenspot would conceivably take down her site out of spite, when they’ve never once done that to the dozens of other Keenspot members who were fired or left, most of which left under far worse terms than this situation.
Oh, dear.
If you are interested in webcomics as a publishing vehicle and revenue stream, you might want to take the time to go through these posts and the accompanying comment threads.
UPDATE: Very interesting overview with lots of additional information at FLEEN.
Record breaking cold and snow here on the little mountain.

The stream, buried under 30 inches of fluffy white stuff.

My gardens and greenhouse. I meant to get out yesterday to pick parsley and celery. Too late now.

The barn and hothouse are past the little stream here. This exhausting walk through hip-deep snow took 20 minutes.

Wholesome decor.

The latest in winter couture.

More pics later.
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