Paul Goldstein is a writer, lawyer and teacher. He is the author of three novels on intellectual property themes, Errors and Omissions (Doubleday 2006), A Patent Lie (Doubleday 2008) and Havana Requiem (Farrar, Straus and Giroux 2012). He is also the author of two general interest non-fiction books, Copyright’s Highway: From Gutenberg to the Celestial Jukebox (Stanford University Press, Revised Edition 2003) and the recently-published Intellectual Property: The Tough New Realities That Could Make or Break Your Business (Penguin Portfolio 2007). Mr. Goldstein has written two leading treatises on copyright law – the four-volume Goldstein on Copyright (Aspen Publishers Third Edition 2005) and the one-volume International Copyright: Principles, Law and Practice (Oxford University Press Second Edition with P. Bernt Hugenholtz 2010) – as well as four widely-adopted law school textbooks.
Archive for ‘Education’
Get the difference: Trademark, copyright, and patent
by Colleen Doran on February 23rd, 2012Handy dandy video from Jonathan Bailey of Plagiarism Today on the difference between copyright, patent, and trademark. I rarely see articles from bloggers or journalists (especially with regard to comics) that manage to get it right.
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Legal Issues in Contemporary Art: Copyright Class
by Colleen Doran on September 16th, 2011Legal Issues in Contemporary Art:
Copyright
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*2.5 CLE credits: 1.5 Professional Practice and 1 Skills (Approved for Non-Transitional and Transitional Attorneys)
When: Monday, September 26, 2011. 4 – 6:30pm
Where: VLA, 1 East 53rd Street, NY, NY 10022 (Auditorium) Map it!
With the recent increase in copyright issues and lawsuits, visual and performing artists need to be aware of copyright laws and the legal issues that may affect their practice and the presentation of their art work. This class will focus on copyright law, with a primer on some of the more pressing legal concerns for artists today, such as the distinction between ideas and expression, the use of appropriated images and text, as well as fair use. The class will refer to legal cases in order to illustrate key concepts.
This VLA workshop is open to artists, arts administrators, and serves as an introduction to copyright law for admitted attorneys.
This class will be taught by Sergio Muñoz Sarmiento, Esq., VLA’s Associate Director.
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What people are saying about this class:
“Very creative and engaging presentation of important issues in copyright.”
“Very well taught class with extremely useful information.”
“Thank you Sergio. This was a great introduction to VLA. You made the subject very interesting even after a very long day.”
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Fees (there is a late registration fee of $10 if you register the day of the class):
$15 Artist (VLA member)
$25 Artist (VLA non-member)
$75 Legal Professional (VLA member)
$100 Legal Professional (VLA non-member)
$50 VLA YAM’s (Young Associate Members)
*Free for All You Can Learn Pass
To register, please complete and fax this registration form. All registration fees are non-refundable. For more information, please call Joni Todd at 212.319.2787 x10, or e-mail her at jtodd@vlany.org.
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Harlan Ellison NEW BOOK “BRAIN MOVIES”!!! With J Michael Straczynski
by Colleen Doran on July 6th, 2011Reprinted with permission from J Michael Straczynski’s fan page.
I don’t have to tell you who Harlan Ellison is, or that he wrote some of the most seminal episodes of science fiction television in the history of the form. His scripts for The Outer Limits, Star Trek, Twilight Zone and others have won countless awards and are considered landmarks of the genre.
A while back, I got wind of a top-secret project being developed by Publishing 180, the company that publishes the Babylon 5 script books, involving Harlan’s scripts for these series. (Important note: I do not own any part of P180 nor do I receive any financial remuneration of any kind from this project. My involvement here is strictly as a fan and admirer.) I now hold in my hand a preliminary copy of that book, and I wanted to give everyone a heads-up because folks, this is a doozy.
The book, entitled BRAIN MOVIES, contains Harlan’s scripts for “Soldier,” and “Demon With a Glass Hand” from THE OUTER LIMITS, “Paladin of the Lost Hour” and “Crazy as a Soup Sandwich” from the TWILIGHT ZONE, “Memo from Purgatory” from ALFRED HITCHCOCK PRESENTS, “The Face of Helen Bournouw” and Harlan’s near-legendary manifesto on how to write good science fiction, written exclusively for incoming writers on BABYLON 5. (The scripts for Paladin and Demon received the prestigious Writers Guild Award.)
In many cases, the book contains both the script and the treatment for the script, something almost never seen outside the studio. Most amazing of all, the book contains not just the shooting script for Harlan’s HITCHCOCK episode, it contains an earlier draft filled with his handwritten annotations and changes.
When an episode is broadcast, you don’t get to see the writer’s mind at work, don’t have the opportunity to experience the moment he decided to make a line of dialogue or a scene go thisway instead of thatway, how a turn of phrase was altered in just the right way at the last moment, you see only the end product. By including the draft with the handwritten annotations, you can see the creative process being enacted right before your eyes. The opportunity to see inside the writer’s mind is unspeakably rare.
Best of all, these are not re-typeset versions of the script, they are painstakingly scanned reproductions of the ORIGINAL SCRIPTS, exactly as they were written.
And for the budding science fiction writers out there, what better than having Harlan Ellison break down in his manifesto how to write effectively in the genre, how to avoid various kinds of traps and make your writing better?
The value of this book to up-and-coming writers, academics, collectors, fans, and just plain folks who love science fiction television is inestimable. This isn’t just a book of scripts, it’s an important piece of history.
When I heard that Harlan was going to include the B5 manifesto (entitled “A Terrifying List of Things Not to Do When Writing For Babylon 5”), I offered to write an introduction to the volume, entitled “Touching Magic.” That introduction is now also in the book.
Last, and maybe coolest of all, because of the presence of B5 material, they are doing a limited number of books that are DUAL AUTOGRAPHED by both myself and Harlan. With only one prior exception, this is the ONLY time that Harlan and I have autographed something together, and never before for a published book. Once those signed editions are gone…they’re gone.
Because Publishing 180 is a boutique publisher, they do not generally release information on its upcoming titles until right before publication. But this volume is so important, so extraordinary, that I asked if I could give the B5 fans out there, and the fans of Harlan Ellison who are also in that group, a heads-up on this event. This way we reduce the risk of missing the chance to get one of the double-signed editions.
The book will go on sale in a couple of weeks – I think it’s somewhere around the 20th and those already on the B5 mailing list will get the announcement automatically – but I’ll be sure to post the info here the second it goes online. If you want to be sure not to miss it, a signup page will be up soon at www.harlanbooks.com
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