Michael Zulli. The artist who did the extremely gorgeous pictures for the most extremely dazzling of all Sandman tales.

Pretty.
Sandman is © ® DC Comics
Michael Zulli art presented here with kind permission of Mr. Zulli.
Michael Zulli. The artist who did the extremely gorgeous pictures for the most extremely dazzling of all Sandman tales.

Pretty.
Sandman is © ® DC Comics
Michael Zulli art presented here with kind permission of Mr. Zulli.

This is original art from the Sandman 20th anniversary exhibit. Pencil on 500 ply Strathmore, 11″x14″. Morpheus holds the head of his son Orpheus on a lyre.
Alas, the original sale fell through as the buyer had me hold this, and later found himself bitten by the economy. So, the piece is back up for sale. Please inquire.
I was going to take all my art off the market for the next year, but one piece won’t kill my schedule!
This piece is now sold. Thank you for your interest! And thank you for your support!
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Sandman © ® DC Comics

I first met Neil Gaiman back in 1989. I had received a grant from the Delphi Institute to study American pop culture with cartoonists from around the world. The group traveled across the USA visiting various companies and museums.
One of our stops was DC Comics. Since I already worked there, it didn’t strike me as a particularly unique experience. So, while the others got a lecture from Archie Goodwin, I wandered off to scare up some gigs and meet people. One of the people I met was the not-yet-famous Neil Gaiman who was hanging out in Karen Berger’s office.
I didn’t know who he was. After leaving the office and getting halfway down the hall, I suddenly realized he was that Neil Gaiman, author of the comic I thought was keen, but the rest of the world had yet to discover. After my double take, I ran back to the office and shouted “You’re that Neil Gaiman! Sandman!”
We did the mutual admiration thing. He told me he enjoyed A Distant Soil, a revelation which made me all tingly. He said would like to work with me sometime, which made me tingle even more.
It was rather comical to watch I am sure, because as I recall, we both burbled a lot.
Sandman was on the ropes, alas. To stave off cancellation, DC decided to try publishing a special edition of issue #8 as a freebie and introduction to retailers.
He gave me one of those promo Sandman #8′s which wasn’t in stores yet. In it he left his name, address and phone. Don’t you wish you had one of those?
Later I began receiving a series of charming postcards – all the way from England – written in Neil’s own dainty hand.
I considered donating these to a charity auction. By golly, they are just too cool. I’ve decided to keep them.
And with Neil’s kind permission, I am posting the first of them here, the one where he asks if I would work on Sandman sometime. A little bit of comics history.

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